#Flume concert skin

Europe has shown similar love for Flume and Skin. Third single, ‘Say It’, featuring Tove Lo, is close behind, having reachedđ46 million plays on Spotify, and gone three times Platinum inĚustralia. The track has been certified four times platinum inĚustralia, and to date has clocked a staggeringĒ57 million plays on Spotify. Lead track ‘Neverěe Like You’, featuringĜanadian singer Kai, was a Topđ0 Radio Single in the US where it also went Platinum.

His stretch through the US included closing the outdoor stage atĜoachellaĒ016 drawingė0,000 to his Lollapalooza slot multiple sold out nights at The Shrine in LA, theěill GrahamĜivic in Sanğrancisco, and iconic sell-outs at Red RocksĜO andğorest Hills NYC.

#Flume concert skin

That inclination to push himself has been handsomely rewarded.Ěnnouncing announcing headline shows to celebrate the release of Skin in May,ğlume sold out allē00,000 tickets of his world headline tour, including more than 80,000 headline tickets inĚustralia alone. I thought, this is how the album’s going to sound. “I hadn’t heard anything quite like that. “I thought, cool this sounds like it’s from the future’” says Streten. Then, stuck on what would become the clattering standout, ‘Numb and GettingĜolder’, he crushed together three completely different songs. I needed to do something bold.”Īfter slowly beginning work on Skin as far back as lateĒ013, Streten’s breakthrough came in mid-2015 when he shifted to LA for three months of solid work. Recorded in hotel rooms, aeroplanes, trains, taxis, and tour vans, and in locations as far-flung as LAX airport, a shack on the west coast of Mexico, a log cabin in rural Tasmania, a bus rattling towards Vegas, as well as studios in LA, New York, and his hometown of Sydney, Skin is “a grand expedition in trying to capture the biggest, most epic, powerful moments,” says the producer. “That definitely influenced the new stuff a lot.” “I wanted to keep the next album at a certain high energy,” says Streten of the writing process behind Skin. “It used to be just writing for myself but now there is an audience,” says Streten.Ě sizeable one.ěeyond millions of listeners and his own sold-out shows,ğlume’s live show has become a major draw at international festivals, includingĜoachella, Reading, Leeds, Pukkelpop,ěonnaroo, and drawingĔ0,000 to his slot at Rock en Seine in Paris. With good reason - its creation mirrors the complex rush of sensations that came with sudden success. Released in MayĒ016, the musician’s wildly eclectic follow-up is a meticulously crafted, vivid universe of big emotions woven into a densely cinematic whole. “Shock” plays a significant role onğlume’s often-outrageous second album, Skin. “I was just some quiet kid in high-school and all of a sudden I got dropped into the deep end. From this new personal phase, Flume’s latest techno-charged offering upscales the drops, fidgety distortion and replay value that has proved a constant in his playbook.“It was a crazy journey,” says Flume - aka 25-year old Australian producer Harley Streten - of hisĒ012 self-titled debut’s international success. This dynamic carries the reunion with Kučka on ‘Escape’ as well as the meditative Damon Albarn-featuring title track, which taps into the ecological origins of the record via its birdsong incidentals. MAY-A collaboration ‘Say Nothing’ champions the album’s radio-friendly chops, while the hypnagogic ‘Sirens’ sees Caroline Polachek’s trademark vocals join climaxing electronica – partnerships that capture the imagination and innovation at the heart of Flume’s output. Opener ‘Highest Building’ sticks to this two-tone chemistry in skewing synth stabs with Oklou’s elastic refrains, ‘Get U’ closely rivalling in its alien-like pull. Twinning synth trickery with chart appeal has been a mainstay of Harley Streten’s craft, and his third album continues to blur the line between off-kilter and accessible in its parallel-dimensioned pop. With the idyllic backdrop of his Northern Rivers base as an impetus, the Aussie electronic wunderkind eschews the glitched-out route of his earlier releases, instead rebooting the kind of instant earworms that powered predecessor ‘Skin’. Inspired by his relocation to rural New South Wales following a decade in LA, ‘Palaces’ represents a homecoming for Flume.